All Eastman Johnson 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
39074 A Ride for Liberty  A Ride for Liberty   mk140 circa 1862 Oil on board 55.8x66.4cm
71843 A Ride for Liberty -- The Fugitive Slaves  A Ride for Liberty -- The Fugitive Slaves   between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)
49324 A Ride for Liberty-The Fugitive Slaves  A Ride for Liberty-The Fugitive Slaves   mk195 1862 Oil on board 22x26
45369 Das Ahornzucker-Larger  Das Ahornzucker-Larger   mk181 um 1865-73 Ol auf Holz 25.7x57.4cm
45370 Das Leben im Suden  Das Leben im Suden   mk181 1859 Ol auf Leinwand 91x119cm
45375 Das Madchen,das ich Zurucklieb  Das Madchen,das ich Zurucklieb   mk181 vor 1875 Ol auf Leinwand 106.7x88.7cm
45372 Die Familie Brown  Die Familie Brown   mk181 1869 Ol auf Papier auf Leinwand aufgezogen 59x72cm
73114 Fugitive Slaves  Fugitive Slaves   Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf
84237 Fugitive Slaves  Fugitive Slaves   Oil on paperboard - 22 x 26.25 in - c 1862 cyf
50525 Negro life at the South  Negro life at the South   mk212 Oil on canvas 36x45in
80212 Negro Life at the South  Negro Life at the South   Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr
39080 Not at Home  Not at Home   mk140 circa 1873 Oil on canvas 67.1x56.7cm
80485 Ojibwe Wigwam at Grand Portage  Ojibwe Wigwam at Grand Portage   Ojibwe Wigwam at Grand Portage - Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cjr
84752 Ojibwe Wigwam at Grand Portage  Ojibwe Wigwam at Grand Portage   Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cyf
74812 Sugar Camp  Sugar Camp   English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf
33016 The Boy Lincoln  The Boy Lincoln   nn08 1868
39282 The Converstaion  The Converstaion   mk146 1879 Oil on canvas
31954 THe Cranberry Harvest,Island of Nantucket  THe Cranberry Harvest,Island of Nantucket   mk77 1880 Oil on canvas 27 3/8x54 1/2in
94068 The Girl I left behind me  The Girl I left behind me   1875(1875) Medium English: Oil on Canvas Dimensions 106,7 x 88,7 cm cjr
38681 The Hatch Family  The Hatch Family   mk139 Oil on canvas 1871
49313 The Letter Home  The Letter Home   mk195 1867 Oil on composition board 23x27 Musuem of Fine art
38357 The Lord Is My Shepherd  The Lord Is My Shepherd   mk136 Oil on canvas about 1863
49363 The Pension Agent  The Pension Agent   mk195 1867 Oil on canvas 25x37
72992 The Sugar Camp  The Sugar Camp   "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
80275 Union Soldiers Accepting a Drink  Union Soldiers Accepting a Drink   Union Soldiers Accepting a Drink - Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cjr
84518 Union Soldiers Accepting a Drink  Union Soldiers Accepting a Drink   Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cyf
Eastman Johnson
American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects

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